1. Yvan Lucas - FilmLight | Customers | Meet The Colourist
Yvan Lucas is a veteran DI colourist with a unique international story. His career spans over 30 years and has involved working in 10 different labs.
Description - Filmlight LTD
2. Working Digitally, Thinking Filmically: Yvan Lucas on Barbie's Unique Look |
28 jul 2023 · Senior Colorist Yvan Lucas got word from frequent collaborator, award-winning cinematographer Rodrigo Prieto, saying that their next project would be about ...
When Senior Colorist Yvan Lucas got word from frequent collaborator, award-winning cinematographer Rodrigo Prieto, saying that their next project would be about Mattel’s Barbie doll, he was surprised. He knew Prieto, as always, would make his footage look incredible and serve as a perfect complement to the story. But what would that story be? How compelling could a story about a doll be?
3. Behind the grade: Yvan Lucas on Barbie - Televisual
Lucas worked closely with director Greta Gerwig and cinematographer Rodrigo Prieto to create the perfect “BarbieLand look” for the critically acclaimed summer ...
Yvan Lucas, colourist at Company 3 in LA, on creating the Barbie look
4. Colourist Yvan Lucas Grades through Three Decades of Cinema
8 apr 2022 · The City of Lost Children. Yvan Lucas has worked as DI colourist for over 30 years in roles at 10 different labs, collaborating with many ...
digital content creation delivery management for Film, Broadcast, Video, VFX, visual effects, Animation, Web, Games and Mobile
5. Setting the Color for Scorsese's Killers of the Flower Moon -
27 nov 2023 · Company 3 senior colorist Yvan Lucas began working with DP Rodrigo Prieto, ASC, AMC, on the look of Scorsese's Killers of the Flower Moon.
Company 3 senior colorist Yvan Lucas began working with DP Rodrigo Prieto, ASC, AMC, on the look of Scorsese’s Killers of the Flower Moon
6. Back in Time: Making Once Upon a Time... in Hollywood
26 jul 2019 · Yvan Lucas explained that the reference for the DI look was the dailies print. Yes, because Quentin wants film, so the print dailies are his ...
Robert Richardson, ASC and his collaborators discuss their approach — both technical and philosophical — to writer-director Quentin Tarantino’s period…
7. Making the Grade: Being a 'Swiss Army Knife' with Billy Hobson
5 jan 2023 · Little Black Book, Harbor's senior colourist on working with the legendary Yvan Lucas and the early days of his post production career.
Little Black Book, Harbor's senior colourist on working with the legendary Yvan Lucas and the early days of his post production career
8. Making the Grade: Being a 'Swiss Army Knife' with Billy Hobson
Harbor's senior colourist on working with the legendary Yvan Lucas and the early days of his post production career. Billy Hobson is a senior colourist at ...
Harbor’s senior colourist on working with the legendary Yvan Lucas and the early days of his post production career Billy…
